As the political intrigue in the capitol gets worse, Stark eventually finds out that the current heir to the throne is the illegitimate child of Cersei and her brother Jaime’s incestuous relationship. However, Queen Cersei Lannister and the rest of the Lannister family are less than happy to see him. This subplot begins when Ned Stark, Lord of Winterfell, agrees to become the right-hand man of Robert, the current King of Westeros. In many ways, this subplot could even take the place of the main plot for the first book. Of all the subplots in A Game of Thrones, this is the one most closely related to the main plot. Subplot – The War between the Lannisters and Starks: The real intrigue comes from the three subplots that feed into it. Other than that, however, this main plot isn’t the biggest focus of A Game of Thrones (it mostly simmers in the background ), so there isn’t much more to say about it. It guides the various subplots, with each connecting back to this struggle for power. This is also the overarching storyline of the whole series, running throughout all the books published so far. Some are fighting because they view the Iron Throne as their birthright, others are seeking revenge, and some are simply craving power. It’s also rather straightforward the various houses of Westeros are competing to gain control of the Iron Throne, each for their own reasons. The main plot of A Game of Thrones is pretty self-explanatory, seeing as it’s the namesake of both the TV series and this first book. ![]() That’s what makes this book such an excellent example of well-written subplots-these three subplots are so robust that they stand as equals to the main plot. It seems that, in many ways, A Game of Thrones is written as if it were three separate main plots, expertly woven into a single story. ![]() What’s so interesting about this first book in the series is that its main plot is probably the least focused on of all the plotlines in the novel. However, that doesn’t mean we don’t have plenty to talk about! This is what the first season of the show was based on, and let’s be honest-there would way too much to cover if I tried to tackle the whole series. The plot of your story gains more impact and weight as a result.įor the sake of this article, I’ll only be focusing on the first book in the A Song of Ice and Fire series: A Game of Thrones. Ideally, with the right planning and preparation, your subplots should naturally come into play at key moments of your story to create this effect. In the back of the reader’s mind they should always know that your subplots are developing in reaction to the main plot, building in scale until they eventually pay off before your novel ends. While most of us know subplots are a great chance to explore secondary characters, locations, and events, there’s far more to subplots than meets the eye. Subplots (if done well) give your reader the sense that your story takes place in a larger world, where time passes and people live their lives outside the immediate scope of your story. Yet, this doesn’t need to be the case, nor should it be. The real difference is one of priority-we typically see subplots as secondary to the main plot.įor many writers, this means they ignore subplots for the bulk of their story until individual moments where they suddenly become relevant. They have their own individual conflict, story structure, and relevant character arcs. You see, subplots are just like main plots at their core. However, any novel hoping to create a truly epic adventure needs to go beyond this straightforward approach. There’s a primary conflict and a structure of some kind, but at its most basic a novel’s plot is just “the story.” ![]() Usually, when we think of a book’s plot we think of the single series of events that form the beginning, middle, and end of that novel.
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